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| original photo taken by Kelly Kazemier |
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"A [drawing] is a series of marks joined together to form an object or work over which our eyes may freely roam."
Pierre Bonnard
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| STUDY 48 (NARCISSUS NO. 3) |
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ABOUT MY WORK: I craft drawings. This is a conscious choice, as is the size of my work: Few are larger than 20 x 30 inches; many are smaller. My authentic self as an artist is a poet at heart; I speak best in smaller, succinct, compressed forms on basic paper with basic tools like pencils, crayons, and colored ink pens. I am creating for the eye that wants to examine a cross section or explore a visual poem, even if that route puts me against popular trends. I don’t worry about trends; I am more concerned about being honest.
The majority of my work is a response to specific events, dreams, or emotional states using a deliberately chosen "alphabet" of shapes, colors, and designs. Geometric forms--especially circles, rectangles, and triangles--spermatozoic shapes, handwriting strokes, etching marks made with knives and pencils, smudges created with erasers, along with a bold color palette form my basic language. I use crayons, pencils, and pens because of their simple immediacy and because they form an autobiographical link straight back to my childhood. Thus my art and the tools used to make that art are my fingerprint, my retina scan, my DNA signature.
Each drawing is a narrative, a unique piece that tells the viewer something about me as well as the object or event being explored, whether it's a performer at Carnegie Hall, a song, a piece of classical music, a nightmare, or an hour of evening meditation.
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| GOLDBERG 4 |
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| STUDY 46 (NARCISSUS NO. 1) |
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| STUDY 48 (NARCISSUS NO. 3) |
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| GOLDBERG 1 |
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| GOLDBERG 2 |
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| GOLDBERG 3 (LOUSSIER) |
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| STUDY 38 |
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| STUDY 32 |
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| STUDY 16 |
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| STUDY 34 |
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| STUDY 35 |
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| STUDY 18 |
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| 8x10x8xVARIABLExNIELSEN SYMPHONY NO. 5 |
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| 3x16xNIELSEN SYMPHONY NO.6 "Sinfonia Semplice" |
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| 12x7x56xNIELSEN SYMPHONY NO. 1 |
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| STUDY 27 |
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| STUDY 28 |
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| STUDY 29 |
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| 4x5xNIELSEN SYMPHONY NO. 4 "The Inextinguishable" |
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| 5x7x15xNIELSEN SYMPHONY NO.3 "SINFONIA ESPANSIVA" |
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| STUDY 25 (SUNSET CHAKRA) |
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| STUDY 13 |
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| STUDY 30 |
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| YELLOW NIKOLA |
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| 5x10x7xNIELSEN SYMPHONY NO. 2 |
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| TESLA CUBED |
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| STUDY 9 |
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| BEETHOVEN PIANO CONCERTO ONE |
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| BEETOVEN PIANO CONCERTO TWO |
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| BEETHOVEN PIANO CONCERTO THREE |
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| BEETHOVEN PIANO CONCERTO FOUR |
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| BEETHOVEN PIANO CONCERTO FIVE |
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| STUDY 10 |
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| SANJAY: CODA |
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| SANJAY: THEME |
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| STUDY 8 (HARLEQUIN) |
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| COPPERAS POND |
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| ELEGY IN 4 MOVEMENTS |
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| IN THIS DREAM . . . |
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| MAGIC WATERS |
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| MITSUKO UCHIDA |
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| ONLY 24 |
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| ORACLE |
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| SWIMMER |
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| TECH EULOGY 2 |
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| THOUGH MY WINDOW |
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| VALHALLA MACHINE |
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| TUMBLING DOWN |
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| LAKE PLACID, SEPTEMBER |
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| MT. JO |
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| DETENTE |
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| JOE |
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| MY DREAMS ARE . . . |
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| ARIADNE AUF NAXOS |
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| IN MY DREAMS, I FREE MYSELF |
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| AND THEN IN MY FRESHMAN YEAR . . . |
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| THE VIBRANT CRYSTAL BALL |
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| GOLDBERG |
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| GROWL |
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| MADJESKO MAKES THE MET |
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| NEBULAS |
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| OEDIPUS: THE MORNING AFTER |
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| ACADIA AUTUMN |
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| CARNEGIE CONCERT |
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