PUBLICATIONS AND PRESENTATIONS
A. Jury/Peer Reviewed Publications
[Each of the following articles, poems, and book(s) was read by an editor and at least one or two outside readers.]
1. Articles and essays [Dr. Bill Thierfelder]
2005—present Outlook Long Island (Tom Hroncich, editor). I am a regular columnist.
William Thiefelder. “Charlotte Smith: The Elegiac Sonnets,” The Explicator, Volume 64,
No. 1 (2005): 28-30. (Paul Haynos, editor)
________________. “Wordsworth’s ‘Intimations of Immortality’,” The Explicator, Volume 63, No. 3 (2005): 136-138. (Paul Haynos, editor)
________________. “Southold Outcry over Guys in Skirts is a Drag,” Newsday, July 25, 2004, A57. (Andrew Crouthamel, features editor)
________________. “Marketing Mythology,” Newsday, November 24, 2002, Currents, A35. (Valerie Kellogg, features editor)
________________.“The Preparatory Meditations: No. 69, Series I and No. 160, Series II,” Proceedings of the Annual Conference on Christianity and Literature, St. Joseph’s College, Patchogue, NY. 1994: 84—89. (Benhilde Montgomery, editor)
________________. “Process-Oriented Recovery in the Workplace,” The National Journal of Health and Recovery, Vol. 4, No. 9 (1993): 20-21. (Andrew Boracci, editor)
________________. “Anonymity and Recovery in the College Classroom,” The National Journal of Health and Recovery, Vol. 4, No. 8 (1993): 18-19. (Andrew Boracci, editor)
_______________. “Five Puccini Women,” The Italian Journal, No. 5, Vol. 6 (1992): 29-32. (Victor Tesoro, editor)
________________. “Williams’ The Glass Menagerie,” The Explicator, Vol. 48, No. 4 (1990): 284-285. (Nancy Geltman, editor)
________________. “Mefistofele and Barnaba: Boito’s ProgressTowards Iago,” The Italian Journal, No. 2, Vol. 4 (1990): 34-36. (Victor Tesoro, editor)
________________. “Further Biblical Allusions in Huckleberry Finn: Chapter 7,” The Explicator, Vol. 48, No. 3 (1990): 30-31. (Nancy Geltman, editor)
________________. “Shaw’s St. Joan,” The Explicator, Vol. 44, No. 2 (1986): 32-33. (Nancy Geltman, editor)
________________.“The Misused Memo: Diagnosis and Treatment,” Journal of Technical Writing and Communication, Vol. 14, No. 2 (1984): 156-162. (Charles H. Sides, editor)
________________. “Zola’s Therese Raquin,” The Explicator, Vol. 41, No. 3 (1983): 33-34. (Nancy Geltman, editor)
2. Short Stories [Pen Name: T. Richard Williams]
Williams, T. Richard. “Found,” Aphelion, Issue 127, Volume 12 (2008).
http://www.aphelion-webzine.com/shorts/2008/11/Found.html
__________________. “The End of Everything,” Shadeworks, Volume 1, Issue 3 (2008).
http://www.shadeworks.org/2008/the-end-of-everything/
__________________. “ . . . With Envy,” Shadeworks, Volume 1, Issue 2 (2008). http://www.shadeworks.org/in/crypt/v1-issue1/
__________________. “No. 6” Aphelion, Issue 124, Volume 12 (2008).
www.aphelion-webzine.com (Robert Moriyama, short fiction editor)
__________________. “Mystic Canyon,” Aphelion, Issue 123, Volume 12 (2008).
www.aphelion-webzine.com (Robert Moriyama, short fiction editor)
__________________.“Loops,” Shadeworks, Volume 1, Issue 1 (2008). http://www.shadeworks.org/in/crypt/v1-issue1/
__________________. “The Twelfth of Never,” Aphelion, Issue 121, Volume 12 (2008).
www.aphelion-webzine.com (Robert Moriyama, short fiction editor)
___________________. “Rubble,” Wild Violet, Volume 5, Issue 3 (2006). www.wildviolet.net (Alyce Wilson, editor)
__________________. “Sylvie Knows,” Wild Violet, Volume 4, Issue 3 (2005). www.wildviolet.net (Alyce Wilson, editor)
___________________. “Flanagan,” Wild Violet, Volume 4, Issue 2 (2005). www.wildviolet.net (Alyce Wilson, editor)
3. Poetry [Pen Name: T. Richard Williams]
Williams, T. Richard. “Cricket,” Petroglyph: A Journal of Creative Nature Writing, Vol. 13 (2000): 26. (Michelle Parkinson, editor)
___________________. “Ars Poetica: Again,” Poetry Motel, Vol. 12, No. 3 (1999): 2634. (Patrick McKinnon, editor)
___________________. “Two Medicine Lake,” The Lucid Stone: A Quarterly of Poetry, Issue No. 19 (1999): 11. (Pauline Mounsey, editor)
___________________. “Two Cents for Penny,” Literary Review (Performance Poets Association), Vol. 2 (1999): un- numbered pages [45]. (Cliff Bleidner, editor)
___________________. “Weeds,” Petroglyph: A Journal of Creative Nature Writing,” Issue No. 10 (1998): 17. (Circe Chamberlain, editor)
___________________. “Fairytale Romance Revealed,” The Lucid Stone: A Quarterly of Poetry, Issue No.16 (1998): 22. (Pauline Mounsey, editor)
___________________. “Palm Court” “Midnight Snow,” Higginson Journal, Vol. 35 (1983): 20-21. (Frederick Morey, editor)
___________________. “Chimney,” Encore: A Quarterly of Verse and Poetic Arts. Vol. X (1982): 5. (Alice Briley, editor)
___________________. “from Museum Grouping” “Three Sea Pictures,” Modern Images, Vol. IX (1982): 10;14. (Susan Morgan, editor)
___________________. “Three Statements,” Modern Images, Vol. VII (1981): 8. (Susan Morgan, editor)
___________________. “Swarm of Wasps” “Variant Readings in Snow,” American Poet Quarterly. Vol. 21, No. 3 (1981): 9; 14. (Stella Craft Tremble, editor)
___________________.“Ten Years,” American Poet Quarterly. Vol. 21, No. 2 (1981): 31. (Stella Craft Tremble, editor)
___________________. “Pas de Deux,” American Poet Quarterly. Vol. 21, No. 1 (1981): 29. (Stella Craft Tremble, editor)
4. Books
Williams, T. Richard. David By the Sea, 25, Unshaven, [poetry collection] Guyasuta Publishers, Pittsburgh, PA. 1993. Cynthia Sterling, publisher. 37 pages.
ISBN 1-56315-074-3
B. Non-Jury Publications
[The following publications were submitted and directly chosen by a single editor.]
1. Poetry [Pen Name: T. Richard Williams]
1998—2000 American Poets & Poetry (John DeStefano, editor). Over a dozen poems were published, including: “Sartor Redux,” “Advice for Echo,” “Tangerine Sisters,” “Library Evenings,” and “My Old Familiar.”
2. Articles, Notes [Dr. Bill Thierfelder]
1988-1989 Northport Observer (David Ambro, editor). I published five op-ed essays.
William Thierfelder. “The African Queen: An Appreciation,” St. John’s Picture Show, St. John’s University. (1981).
______________________. “The Great Caruso,” St. John’s Picture Show, St. John’s University. (1981).
______________________. “The Deer Hunter,” Graduate English Newsletter, Vol. 6, No. 1 (1979): 1-2, St. John’s University.
3. Books [Pen Name: T. Richard Williams]
Williams, T. Richard. Ten [short story collection] Charlotte, North Carolina: Booksurge Publishers, 2006. 275 pages. ISBN: 1419635042 Library of Congress: 2006903312
_________________. How The Dinosaurs Devoured The Humans [poetry collection] Charlotte, North Carolina: Booksurge Publishers, 2006. 93 pages. ISBN: 141963156X Library of Congress: 2006902496
C. Papers
1. Conference Papers [Dr. Bill Thierfelder]
[Each of the following papers went through a traditional process: I answered a call for papers, a summary was submitted, a paper topic was approved, a paper was written, and the paper was submitted for final approval and editing before delivery.]
Thierfelder, Dr. Bill. “Knowledge as power in the operas and oratorios of Handel”, Northeast Society for Eighteenth Century Studies, Salem State College, Salem, Massachusetts. November 3, 2006.
________________. “With Good Intentions: What GLBT High School Students Can Expect to Find at Long Island Colleges.” 22nd Annual SAJES Conference on Prejudice Reduction, Hilton Hotel, Huntington, NY. November 13, 2005.
________________.“Where We’ve Been; Where We’re Going: Our GLBT History,” 10th Annual Conference of LIGALY, Hofstra University, Uniondale, NY. March 12, 2005
________________. “The Countess Re-Invented: Mozart’s Rosina and Strauss’s Marie Therese”, Northeast Society for Eighteenth Century Studies, University of Vermont, Burlington, Vermont. November 10, 2004
________________. “The Three Figaros: Beumarchais and the operas of Mozart, Rossini, and Corigliano,” Northeast Society of Eighteenth Century Studies, University of Rhode Island, Providence, RI, October 15, 2003.
________________. “Goldoni’s ‘Il mondo della luna,’ Hadyn, Paisiello, and the Wonder of Science,” Northeast Society of Eighteenth Century Studies, New York University Graduate Center, New York, NY, October 28, 2002.
_______________.“Torn Passions: Pope’s ‘Eloisa to Abelard’ as Handelian Scene,” Northeast America Society for Eighteenth Century Studies, Dalhousie University, Halifax, Nova Scotia. November 8, 2001.
_______________. “The Vision of Power in Handel’s Operas,” Northeast American Society for Eighteenth Century Studies, University of Ottawa, Canada. September 21, 1995.
________________. “The Preparatory Meditations: No. 69, Series I and No. 160, Series II,” Annual Conference on Christianity and Literature, St. Joseph’s College, Patchogue, NY. November 19, 1994.
_______________. “Stravinsky’s Rake’s Progress and the Neoclassical Tradition,” Northeast American Society for Eighteenth Century Studies, Fordham University, Lincoln Center, NYC. October 21, 1994.
________________. “Towards an English Opera in the 18th Century,” Northeast American Society for Eighteenth Century Studies, Yale University, New Haven, CT. October 12,1993.
_______________. “The Wounded Inner Self of Edward Taylor,” Northeast American Society for Eighteenth Century Studies, Stony Brook University, Long Island, NY. October 15, 1992.
2. General Papers [Dr. Bill Thierfelder]
[I was invited to deliver the following papers.]
Thierfelder, Dr. Bill. “Beethoven and the Poe Connection: Lenore/Leonora,” Dowling College’s Annual Gothic Night. Oakdale Campus, NY. October 28, 2002.
________________. “O What Pleasure! Der Vampyr and the Gothic Tradition,” Dowling College’s Annual Gothic Night, Borders Books and Music, Bohemia, NY. October 27, 1999.
________________. “Haunting Menagerie: The Wildlife of Ariel,” English Honor Society, Dowling College, NY. September 25, 1992.
_______________. “The Villains of Wagner,” The Camerata Society, New York City Opera. November 13, 1987
________________. “Samuel Barber’s Revision of Antony and Cleopatra,” The New York City Opera Guild Annual Dinner, New York City Opera. June 23, 1983.
_______________. “Verdi,” The Camerata Society, New York City Opera. April 9, 1982.
_______________. “Wagner and the Magic Ring,” The Camerata Society, New York City Opera. March 2, 1981
D. Presentations
Since 1994, I have given over 200 library presentations on various writers, composers, and artists at over a dozen public libraries in Nassau and Suffolk Counties, New York.
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